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Vision vs Logic in Cinema

A commercial poster for the film Inland Empire. The title is in white text at the centre, and the background is split in half between two photos horizontally. The lower photos is a woman screaming with a deep blue filter. The top photo is a woman looking over her shoulder with Los Angeles behind her with a deep red hue.

I got a message saying - 'if you can get here in time you can have the ticket'. So there I was legging it through the rain to get to BFI Southbank in Central London in the hopes of seeing... Continue Reading →

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Money Talks, but how much?: Subsidising Art in a time of panic

A large curtain of glass and light stands in front of a woman with her back to the camera while she reaches up to touch it. The Text above her reads - Hope for Art.

Things are happening! Right here. Right now. But where is here and what is now? Well it's the end of 2025. We're all exhausted and keeping your head up is hard. More specifically to us, being an artist, making money... Continue Reading →

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TRANSMISSIONS – A sound based, immersive Arts project for unpublished writers

A black background with the wording Transmissions written in white in the top left corner. At the center of the image are thre vertical strips with multi-coloured raindrops falling down. At the bottom of the image are the logos for The Royal Society of Literature, Arts Council England and Saint Ghosty Creatives.

We've done a thing! We're quite excited by this one, not going to lie. The headline is that we have a brand new project - Transmissions. Thanks to funding and support from The Royal Society of Literature, Arts Council England,... Continue Reading →

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Creative Sector Accessibility isn’t an achievement. It’s a basic.

an abstract image with a light blue background with streaks of bright yellow on the right. There are three images of eyes at the centre looking to the right of the image. On is yellow, one is black and one is white.

There may be reasons why accessibility is lacking in the creative sectors, but there's no excuse. It seems difficult to stand in front of members of the public, creative or not, and convince them that art exists for all of... Continue Reading →

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An Ill Planet: Revisiting ‘a Field in England’ in 2024

We all know the feeling of someone talking down at you about a film, music, whatever — they have a certain look in their eye as while they barely contain the orgasmic rush of correcting whatever perfectly legitimate opinion you dared to... Continue Reading →

Making Ends Meet: Why funding cuts are the biggest threat to national Arts and Culture

a large crowd in fron of a stage in the dark, lit by orange stage lights. White text is at the centre of the image reading 'why funding matters' with a microphone logo just above this text

Taking risks is one of the most important parts of any business. Risk means potential loss, but also possible growth. Either way it means change and keeps us away from stagnation. It's especially relevant with Arts and Heritage sectors, where... Continue Reading →

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Finally Seeing AKIRA

A few weeks ago, a friend invited me to the cinema. I thought about it but then I remembered it was chucking it down with rain, and that I’m generally pretty broke at the minute. Saying that, my only other... Continue Reading →

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Causality by Yousaf Khawaja

they can't liquify what's already a sea. subspace, formless mouth forming restless sea resting . birthday tides waves of embrace countless coffees the details of our life together in an unspoken form, a form unspeakable and what can't be spoken... Continue Reading →

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Little Nightmares is one of the best horrors of all time.

As you get older ‘newness’ becomes a process of consumption, the same as eating. You encounter countless constructs you examine as ‘new’. Determining ‘newness’ at several intersecting points of experience becomes an art form. We begin to obsess over interpreting... Continue Reading →

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